Rahman's Sound Recordist Mr.Sridhar once said in an interview."His Music has a lot of the lows,a lot of the highs.soft sections followed by really bright sections.In a way,his music is very theartical."Ĭlick here to download 'Hey Goodbye Nanba.'Ī slightly less improvised purely jazz version of this track(நீ மழை,நான் இலை) was used as background score for some scenes in the movie and it too needless to say,is nothing short of a masterpiece and deserves praise.Ĭlick here to watch the song on youtube. That was precisely what this song had.maybe this was nu-jazz or a.r.r-jazz even! -).The song starts off with the gentle smoothness of velvet jazz and soon dons the guise of fast paced pop and electronic music and then back to jazz,alternating between the two. As far as i am concerned,nothing cools down the mood as much as jazz.Jazz is laid back,easy,lethargic and innocent.What if jazz could do all the above as well as have a racy feel to it. Hey Goodbye om Aayutha Ezhuthu (Yuva) was one such wonderous,blissful experiment in jazz. The Protagonist walks a never ending walk, through everything and everyone.bumping into passers by.startling some, enraging some, failing to capture the attention of some!Completely oblivious of what happens around him,he continues on his journey,tired of trying to change.,gladly accepting come what may,disillusioned and wise!Īlthough this song may be shrouded in claims of plagiarism, It stood out and had an everlasting impression!, on me when I first heard it through my friend, will have on you too, once you start listening :).Just the way I thanked, you too will do so, for introducing you to this wonderful track!Ī man of science.he loves experimenting and often the inference would be nothing less than wide acceptance and appreciation,for each and every one of his experimental endeavors.There were only a handful of genres in music that he hadn't tried yet and jazz was certainly not amongst the handful.(இசையமைக்காதது கைமண்ணளவு.இசையமைத்தது உலகளவு!) The music video for this song aptly adheres to the song's theme. "No change, I can't change, I can't change, I can't change,īut I'm here in my mold, I am here with my moldĪnd I'm a million different people from one day to the next" Richard Paul Ashcroft's lethargic but hard hitting voice ideally suits this song! The carefree voice of a Man who tried his best to make his own destiny, didn’t succeed gloriously, nor failed ignominiously! Tried his best, and then realizing that the journey is more important than the destination.
"Life at Best is Bitter Sweet!"-Jack Kirby.There cannot be a better word to collectively describe a life's experience! The Theme of this song does as much, if not more, as the music, to attract the listener! "Bitter Sweet".A really fascinating word! As they say, what’s sweet now would be bitter later and what’s about bitter sweet?. This song calms us, makes us ponder, about life and its mysteries. My first impressions were that this song sounded very coldplay-ish. In fact it is this tune that forms the core of this song, present throughout, forming the basis to this pleasant alternative rock number. Such is the wonderful opener to this wonderful track.
He will also be seen playing the lead role in Rocketry: The Nambi Effect.The Opening violin tune of this song immediately makes you think,"Oh! This is going to be Classic!". It can be expected that the film’s delay would be further delayed owing to the current Coronavirus situation, as theaters across the country will remain closed until the end of this month. After several postponements, the film was supposed to hit the big screens on April 3. On the work front, Madhavan will be next seen in Nishabdham, which has Anushka Shetty in the female lead role. Though the film is about a little girl and her desperate attempt to reconnect with her biological mother, the film also talks about the tragedy that happened in Sri Lanka. As Madhavan shared it, the video received more attention and people started sharing it across all social media platforms. Sharing the video on his Twitter space, R Madhavan wrote, “Makes more sense now”. While we love the film for its beautiful story and the portrayal, we cannot deny the fact that the film stands out in terms of explaining the age-long issue that Tamil people have been facing in Sri Lanka.Ī video from the film, in which R Madhavan can be seen having a conversation with Prakash Raj surfaced online. The film also had child artist PS Keerthana in a key role. One of the timeless classics of Kollywood is ace director Mani Ratnam’s Kannathil Muthamittal, which has R Madhavan, Simran and Nandita Das in lead roles.
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